The Beat Goes On

 

 

 

 ‘I follow my Dharma’, says Yuddhisthira, even in his exile, ‘not because I see
immediate profit in it, but because virtue is to be practiced,
for its own sake, under all circumstances.’   - Bhagavad Gita

 

 

 

Kerouac was a writer. That is, he wrote.

Many people who call themselves writers and have their names on books are not writers and they can’t write – the difference being a bullfighter who fights a bull is different from a bullshitter who makes his passes with no bull there. The writer has been there or he can’t write about it. And going there he risks being gored. By that I mean what the Germans aptly call the Time Ghost –for example, such a paqule ghost world as Fitzgerald’s Jazz Age… What are writers, and I will confine the use of this term to writers of novels, trying to do? They are trying to create a universe in which they have lived or would like to live. To write they must go there and submit to conditions which they may not have bargained for sometimes, as in the case of Fitzgerald and Kerouac, the effect generation were waiting to be written.

William Burroughs
“Kerouac,” High Times, 1979

 



Happy 50th City Lights!
June 6, 2004  
fax: (415) 362-1901

 

 

Hip mystics want to know

Haven't we met before, in another lifetime?

 

 

Jack Kerouac * TOB 12 MAR 22  Lowell, Mass

 

Reported first meeting with Cassady December 1946, NYC

Kerouac's progressed Moon in Leo warmed the sunny side of his street with the Orange-gold wave during the last several months in 1946 and carried over into 1947.

Jack Kerouac - excerpt from Steve Allen Show, link to the factoryschool.org

Jack Kerouac has an 11  Destiny Path, go Super Numbers
 

     Kerouac published ON THE ROAD in 1957 under the influence of a serene and profound Blue Lunar Ray, one that bears upon every facet of Truth and enters border territory on the edge of Theurgy; Blue is associated with healing [see "Blue Baby Ward"], an antiseptic, soothing, and cooling effect. Blue is used for absentee healing more than any other ray, with the possible exception of the Green Wave. Remember Kerouac's exact Lunar/Asc conjunction in the sign that governs health and maintenance of the physical temple, Mercurial earth - Virgo. Today the  scholars in search of the "true" Kerouac may find some help locating the soul of the poet within the ray of faith, sympathy, and the boundless sky.

     It is no surprise deeper personal motivation for some writings would pertain to a service and healing aspect directly aimed at Kerouac's immediate community at the time. Mercury/Hermes has been a symbol of the transcendent principle since the civilizations before Olympus and Asgard. His staff acquired the wings of the 'wisdom' birds above the entwined serpents in reference to the healing art. His winged sandals and hat represent the power to fly to any region in search of deliverance and bliss, and with Caduceus, reach transpersonal spheres of influence. The Blue Wave is meditative, spiritual and trusting. It's frequency is that of the great question, "What is Truth?"

 

Allen Ginsberg reads from Kerouac's THE DHARMA BUMS
Ginsberg's "celestial homework" is the reading list that he handed
out for his course [Jack Kerouac School of Disembodied Poetics
at Naropa Institute] as "suggestions for a quick check-out & taste
of antient scriveners whose works were reflected in Beat literary
style as well as specific beat pages to dig into."

Graham Parker reads from Visions of Cody

A friend who delivered mail to Kenneth Patchen when he lived in Palo Alto
loved his home because a colourful hand painted walk led to his mailbox.
 

The one who comes to question himself cares for mankind.

-Kenneth Patchen


 Walt Whitman   Song of Myself   [read by Orson Welles, 1953]

    Also Recommended

 

Recorded TOD: 21 OCT 69 St. Petersburg, Florida

 

 

PRINCE OF DHARMA
PICK ME UP

DENVER FRENCH TOAST
Epicurious

POT AU FEU
Martha Stewart

FUDGY CAPPUCCINO BROWNIES
Bon Appétit, September 1995
 

 

 

Read the signs!

 

 

Neal Cassady 
 
* TOB:   
8 FEB 26 Salt Lake City, Utah

Saturn conjunct Scorpio ASC

     1 Destiny Path

 

 

 

*Last Time I Committed Suicide, The (1997) (letter)
*Source, The (1999)
*Beat Generation: An American Dream, The (1987)
*The Chef Recommends: 

Kerouac, The Movie Directed by John Antonelli
Narrated by Peter Coyote,  1985



*LITERARY SAN FRANCISCO - A Pictorial History From Its Beginnings to the Present Day, by Lawrence Ferlinghetti and Nancy J. Peters. If you love San Francisco you'll love this one, it's full of tidbits and golden nuggets about Pacific Coast notables Alice B. Toklas  [b. 922 O'Farrell Street, later lived at 2300 California Street near Fillmore], Isadora Duncan [b. NW corner Geary and Taylor], Dashiell Hammett, who plotted The Maltese Falcon in San Francisco, Irving Stone [b. Washington Square], Robert Frost, and many more.

ON THE ROAD - Film Status Unknown

 

 

 

 

 

Reported TOD: 4 FEBRUARY 68 San Miguel de Allende, Mexico

 

 

 

Poster Art-Handbills-Cards

 

 

 

    When ON THE ROAD was published in 1957, Neal Cassady's Lunar Ray was an Iridescent-Aquamarine Blue [the colour of his eyes] in the combined air/water wave similar to sea mist floating above the surface of the ocean. The Blue Wave, often linked with the Mercurial capacity [speaking and listening well; Neal Cassady radix Mercury-Venus-Sun combust in Aquarius indicates clairvoyance, telepathic ability, and radar] emphasized his power of communication in 1957. Cassady personified Odin [Wotan] with a rap - the 'new way of thinking.'    

     Neal Cassady's autobiographical installment, THE FIRST THIRD was finally published in December 1971; he first consulted with  City Lights BOOKSTORE folk in the early 60s concerning the disposition of the manuscript. His Lunar ray was an Icy-Blue Wave in 1964, the airy modus operandi governed by Mercury. It can be difficult to read this colour [intuitively and using computer, left brain, function]  when it dominates the personal charisma, in part because acceptance and processing of Saturn's duty and destiny themes are so quick they seem non-existent to other people. Few people can comprehend the capacity to instantly absorb significant data and radiate pure energy back into the atmosphere without missing a beat. There is almost no weight attached to this colour - it is buoyant and trouble-free, suggesting low karmic content to a casual observer.
 

     Cassady's level of intimacy in THE FIRST THIRD [and other works] certainly introduces the reader to Cassady as a comprehensive mover and shaker in his most candid style. Basically the bad news that year was that Neal, a living legend, prophet, father and godfather of the alternative 50s and 60s, could not bring in a profit. Naturally, THE FIRST THIRD would eventually guarantee musical registers in bookstores across the country; Cassady just wouldn't be in town to appreciate it all. Neal's favorite impromptu dance-rap guy, James Brown, usually stopped the show, for every situation, whatever was going on. Everything stopped - the recording - the tape - even the chess game (once in Paly I watched Neal working chess, pitted against two Stanford students) while he spoke to several groups of people around the room - seven conversations at one time - different topics - all complex subjects. But then James Brown came over the radio. Instantly, the atmosphere in the room transformed into a high school gym sock hop and Neal danced between the moments to James Brown. When the song finished, the game was recovered and so was Cassady's rap. The seven conversations previously suspended momentarily while James wailed resumed. After those surreal ten minutes, we all piled into his car and went to see Kesey in La Honda. This phase of Neal's enhancing communication reminds me of Pollack's "Shimmering Substance In The Grass."  Later, Neal decided to take on the "Drive Tapes" voice-overs from Kesey's Oakland rock soundtrack, and they seemed tame by comparison! 
Neal Cassady Rap

Reported first meeting with Kerouac December 1946, NYC
     Neal's December 1, 1946 star chart reveals his progressed Sun @ 9 Pisces had moved into the sign of poets and interpreters almost a decade before. As always, his Sun and Moon established self-acceptance themes as one top priority, however there was quicksilver spontaneity in 1946 unlike anything Cassady experienced before, fed by a higher pulse rate calibration, typical of New York's core beat environs. The Piscean [Neptune ruled] frequency, global consciousness at it's most sensitive zenith - walk on rice paper and leave no trace, grasshopper - would prove ready once Cassady and Kerouac met. Cassady's Mars @ 14 Capricorn, trine Kerouac's radix Ascendent and Moon in Virgo, agitated the desire to take on big magic, preferably a gargantuan task like climbing the great mountain. Things already churned within Cassady the year before when he lived way out in Colorado 'rough it' ranch country. That was a wholly liberating experience intellectually to the point of fascination with The Standard Dictionary of Facts during a year of dazzling Mercury in Pisces sextiles and trines. Cassady's Mercury @ 21 Pisces was trine Saturn in Scorpio [industriousness, the application of method and thoroughness] and his North Node @ 23 Moonchild [exchange of ideas, common or joint plans, intellectual interests, tendency to form associations for the pursuit of the same interests and goals.] Progressed Mercury also teamed up with Neptune to form a quincunx, enhancing the power of sympathetic and compassionate understanding with regard to other people and in depth perception.  However, modern conveniences were lacking back at the ranch, so with just the battery run radio and firelight for reading, tests of memory proved an amusing pastime while social options were kept to a minimum. 

     The Pisces/Virgo combination pertains to Soma, an intoxicant produced during spiritual revelation and illumination. According to legend, certain mantras combined with the stirring of Soma produce a liqueur [probably like the Cordial prepared by Lord Elrond of Rivendell] usually thought to be reserved for immortals. Both Kerouac and Cassady checked the menu when they met, and ordered the Soma. Plans for their adventure together instantly took off. Emotional output was revved on full throttle simultaneously as Kerouac's Venus was on the cusp of Taurus [0Taurus00 on December 10, 1946] probably crossed over from Aries the day he first encountered Cassady. Cassady had been attracting [Venus in Aquarius quincunx mode is magnetic, passive attraction] people who either would not meet him halfway or refused to accept him whatsoever. Cassady had been conditioned to live in a disapproving atmosphere or one with an unimaginative social engineering mentality. That year his Moon was on a frequency of Lapis Lazuli Blue, a universal colour - one of the most potent of the full spectrum for men. This would continue through early Spring of 1947. So the moment these two beatniks met was perfectly karmic! They could both escape manipulative people. 

     The Lapis Lazuli Wave is involved with one of the greatest of dream scenarios in alchemy. Carl Jung was so fascinated with this process during his later years his last books were devoted to it, almost exclusively. Across America the quantum physics rule worked on churning Atlantis [Cayce] under the waves, The Lost Continent of Mu [Churchwood] and the lives of Buddha [over 650] most beats felt compelled to research.

     The quest and great work, as in Star Wars and Star Trek, is a modern day sci-fiction favorite - even Babylon 5 the little space station that  could, is a spinning Lapis Lazuli cylinder somewhere out in space! So what better prevailing energy for the meeting of minds? Cassady and Kerouac joined forces and began their adventures on the road with the Philosopher's Stone as their quest... and they never looked back.

     Others with their Sun in Aquarius and Moon in Scorpio, from a variety of different walks of life, who remind me of Neal, are James Dean, Richie Havens [with a 0 Aquarian degree cusp], Paul Scofield,  Jules Verne, and Elijah Wood [as Frodo Baggins in certain Lord of The Rings passages, especially pondering his role as ring bearer in Galadriel's Golden Glade.] Richard Brautigan, considered a  San Francisco Aquarian beat [January 30th, 1935] wrote, "Trout Fishing in America" and sometimes assumed a pondering mood, similar to Neal when in his rare silent way.

 


SPIT IN THE OCEAN #7     ~*MAGIC BUS DEPT.*~
Bus Story #1  “Definitely The Bus,” By George Walker

 

     “Kesey continued to promote the idea of a trip to the World’s Fair, and quite a number of his friends were interested. Too many, it turned out, for any one vehicle available. We talked about my station wagon and Ken Babbs’ Volkswagen van/pickup, and maybe even a third car to accommodate everyone. Then Kesey and I took a trip to Eugene/Springfield to visit our families, where we found our inspiration. The city of Eugene had quit the transit business. There were no more city buses. Instead, a private company had bought up several small, used school buses, with seating capacities of fifteen to twenty people painted them emerald green (for the Emerald Empire, as the area is known), and taken over the bus routes. It was a great success; people loved the little buses. They caught our attention too. If we had one of those little buses, I old Kesey, we could all go to New York in one vehicle. That would be a lot more fun. “Great idea,” Kesey said. “Find one and I’ll buy it.” And so the search was on.” 

     …One sunny day in May, Faye found the ad I’d been looking for: 1939 International school bus for sale, converted for live-aboard traveling. Complete kitchen, with propane stove and refrigerator, beds sleep eight, dining table, seats, everything we needed. A Catholic family had outgrown it, and was upgrading to a Bluebird. It was in the nearby upscale Atherton neighborhood. We went to see it. It was yellow and huge with big truck tires. Kesey wrote a check on the spot, for $1,500.”   More about the 'Holy Goof' at Trump 0/22   Poster: 'One Flew Over The Cuckoo's Nest' Jack Nicholson  ~ Kirk Douglas Star Chart and Cuckoo's Nest comment

Ken Kesey  TOB: 17 SEP 35
TOD:  10 NOV 01   ~On December 5, 2001, friends, admirers, and loved ones gathered at the Koret Auditorium, in the San Francisco Public Library for: A Celebration in Memory of Ken Kesey: Visionary Artist and Literary Radical. The event was filmed and should be available - check search engines. I filmed my own  "home movie" copy, if your search leads you to a dry well. Ask me.

 

 

 

 

 East Meets West


 

 

 

View from East Coast, via the film,  POLLOCK: Directed by Ed Harris

     An East Coast "exploding atomic man" is observed inside four walls at the Metropolitan Museum of Art in New York City. During the tour of the artist's wing, I couldn't object to watching his power and presence on a  commanding canvas.  Yet the collection is really a secondary version of the man- who he was and his life spirit as an art form. Harris infused new value into all these gorgeous paintings, for me, by way of his biography.  Pollock lives [in the Harris vehicle] and through the celebrated Met productions.

     Roger Ebert review:  "...
 It contains all the hum and buzz of the postwar New York art world; the vibrant courage of Pollock's wife, Lee Krasner; the measured presence of the art critic Clement Greenberg (who more or less validated Abstract Expressionism) and the fun-loving energy of the millionaire art patron Peggy Guggenheim, who  collected paintings and painters." 

 

 


View from North Beach, West Coast haven, via the film STAR TREK IV, The Voyage Home: Directed by Leonard Nimoy

     San Francisco's eco-awareness rings true through this Trek saga, as reviewed by Roger Ebert: "...The plots of the previous "Star Trek" movies have centered around dramatic villains, such as Khan, the dreaded genius played by Ricardo Montalban in "Star Trek II." This time, the villains are faceless: the international hunters who continue to pursue and massacre whales despite clear indications they will drive these noble mammals from the Earth. "To hunt a race to extinction is not logical," Spock calmly observes, but we see shocking footage of whalers doing just that."

FOOTNOTE:  Reflection Meditation

     "In our every deliberation we must consider

the impact of the last seven generations
 on us now, and the impact of our

 decisions on the next seven generations." 

-The Great Law of The Iroquois Confederacy

 

 
 

ON THE ROAD

Chapter 12

 

In the morning Remi and Lee Ann were asleep as I quietly packed and slipped out the window the same way I’d come in, and left Mill City with my canvas bag. And I never spent that night on the old ghost ship – the Admiral Freebee, it was called – and Remi and I were lost to each other.

In Oakland I had a beer among the bums of a saloon with a wagon wheel in front of it, and I was on the road again. I walked clear across Oakland to get on the Fresno road. Two rides took me to Bakersfield, four hundred miles south. The first was the mad one, with a burly blond kid in a souped-up rod. “See that toe?” he said as he gunned the heap to eighty and passed everybody on the road. “Look at it.” It was swathed in bandages. “I just had it amputated this morning. The bastards wanted me to stay in the hospital. I packed my bag and left. What’s a toe?” Yes, indeed, I said to myself, look out now, and I hung on.

You never saw a driving fool like that. He made Tracy in no time. Tracy is a railroad town; brakemen eat surly meals in diners by the tracks. Trains howl away across the valley. The sun goes down long and red. All the magic names of the valley unrolled –Manteca, Madera, all the rest. Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgundy red, the fields the color of love and Spanish mysteries. I stuck my head out the window and took deep breaths of the fragrant air. It was the most beautiful of all moments. The madman was a brakeman with the Southern Pacific and he lived in Fresno; his father was also a brakeman. He lost his toe in the Oakland yards, switching, I didn’t quite understand how. He drove me into buzzing Fresno and let me off by the south side of town. I went for a quick Coke in a little grocery by the tracks, and here came a melancholy Armenian youth along the red boxcars, and just at that moment a locomotive howled, and I said to myself, Yes, yes, Saroyan’s town.

I had to go south; I got on the road. A man in a brand-new pickup truck picked me up. He was from Lubbock, Texas, and was in the trailer business. “You want to buy a trailer?” he asked me. “Any time, look me up.” He told stories about his father in Lubbock. “One night my old man left the day’s receipts settin on top of the safe, plumb forgot. What happened – a thief came in the night, acetylene torch and all, broke open, the safe, riffled up the papers, kicked over a few chairs, and left. And that thousand dollars was settin right there on top of the safe, what do you know about that?”

-Jack Kerouac


Cate Blanchett

 

KEROUAC Directed by John Antonelli, Peter Coyote, Narrator; go to The Panhandle, and Digger Space
The Onion

The Beat Museum
540 Broadway (at Columbus)
San Francisco, CA 94133
www.kerouac.com
1-800-KER-OUAC


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